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Dedicated to the work of Michael Powell and Emeric Pressburger and all the other people, both actors and technicians who helped them make those wonderful films. A lot of the documents have been sent to me or have come from other web sites. The name of the web site is given where known. If I have unintentionally included an image or document that is copyrighted or that I shouldn't have done then please email me and I'll remove it. I make no money from this site, it's purely for the love of the films. [Any comments are by me (Steve Crook) and other members of the email list] |
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Submitted by Nicky Smith
Wednesday August 12 1931
The fact that the film of Miss Janet Gaynor in Daddy Long Legs is being shown at the Tivoli has somewhat obscured the second picture which is being shown there, Two Crowded Hours, the work of a young British director, Mr Michael Powell, whose future will certainly be watched with interest. The author is Mr J. Jefferson Farjeon, and those who remember Mr Leon Lion's stage production of his thriller No 17 will recall the skilful way in which he made use of comic relief at moments when the excitement threatened to become too severe. He has used the same idea with considerable success in Two Croweded Hours, where the efforts of a detective to track down a murderer who has escaped from Broadmoor are aided by a light-hearted taxi-driver with a keen Cockney sense of humour who might have stepped off any London taxi-rank. Mr Jerry Verno's performance in the part is so good that his audience have little difficulty in imagining that they are riding in his cab and sharing with him the excitements of a chase through some of the busiest parts of London. In the last few minutes of the film the dramatic situation falls away somwhat- possibly because the one incident that does not ring true is the fact that the taxi-driver, having run over and killed the escaped murderer, should think the occasion a good excuse for a final jest. There are one of two points of production which might have been remedied. It is difficult to belive that a detective sergeant would have his name inscribed in bold letters on his raincoat and much more use could have been made of the time factor. The clock shows that the story begins at 4 o'clock. The audience sees the clock again at 10 minutes past four and thereafter it is entirely lost sight of. An occasional 'flashback' to it would have reminded the audience of the high-speed character of the chase.
Sadly Two Crowded Hours is Missing Believed Lost so are we denied the chance to see John Longden having the longest 43 minutes of his life.
Nicky
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