Dedicated to the work of Michael Powell and Emeric Pressburger and all the other people, both actors and technicians who helped them make those wonderful films.
A lot of the documents have been sent to me or have come from other web sites. The name of the web site is given where known. If I have unintentionally included an image or document that is copyrighted or that I shouldn't have done then please email me and I'll remove it.
I make no money from this site, it's purely for the love of the films.
[Any comments are by me (Steve Crook) and other members of the email list]
Submitted by Neal Lofthouse
Shop for Your Films with Lionel Collier
August 19, 1944
Released August 21
c** A Canterbury Tale
As a travelogue on Canterbury, this meandering and sometimes quite inexplicable, picaresque, comedy-drama has its points.
One had a feeling that at its end someone should have said : "And so we say good-bye to Canterbury, [In parody of the Fitzpatrick travelogues of the time] and the unbalanced J.P. who put glue on girl's heads to stop them going out with honest soldiers."
Frankly, I did not know what it was all about. I admired its scenic properties and much of the acting was first class. But as to the moral it had to point or the entertainment it was seeking to provide, I was completely bewildered.
It deals very, very briefly with a farmer, a devout lover of the countryside, who, in order to instil a love of his land to the troops, an American included, and exorcise sex, went about putting glue on on girls' hair and blaming it on the troops.
It's his hope to inculcate apparently sexless appreciation of the beauties of Kent.
No, Mr. Powell, no Mr. Pressburger, it just does not work out.
Eric Portman is vaguely suspicious and pure-minded as the farmer, but the acting honours go to John Sweet, a sergeant in the U.S. Army, to whom all this fantastic tale seems strange: as well it might do.
Characteristics, however, are definitely good but the plot fails to hold one's interest, except in a desultory manner.
Back to index